Best camera for photography 2024: top picks for any budget
We’ve tested countless cameras this year alone and our reviews always lead us to the same conclusion: the best camera for photography is the one that feels right for you. It needs to suit what and how you like to shoot, whether that’s street portraits or action shots. It also depends on your budget.
That makes it difficult to pick just one camera for every photographer, which is why we’ve broken down our recommendations here into different use-cases. If we had to choose the camera that impresses us the most, it’s the full-frame Sony A7 IV with its class-leading autofocus and image quality. But the Canon EOS R10 is much better for beginners, which is why our guide covers all bases.
Every camera featured below has been through hours of in-depth testing at the hands of our seasoned experts. We shoot extensively with each model in real-world conditions, to give you the kind of feedback that actually makes your buying decision easier. We’ve also included some useful advice to help you make an informed choice.
Top 3 picks
The summary below will give you a quick overview of the best cameras for photography right now. When you find one that fits your requirements, follow the links beneath each entry for an in-depth summary of our feedback.
The best full-frame hybrid overall
With excellent autofocus, image quality and video features, the Sony A7 IV is every bit the modern mirrorless hybrid.
Read more below
For
- Impressive new 33MP sensor
- Class-leading autofocus
- Vari-angle screen
- Powerful video features
Against
- Price hike from A7 III
- 4K/60p video is heavily cropped
- Rivals offer faster burst shooting
The best camera for beginners
With a compact build, good handling and modern autofocus, the Canon EOS R10 represents excellent value for beginners.
Read more below
For
- Compact and lightweight
- Impressive autofocus smarts
- Speedy burst mode
- Good value
Against
- No in-body image stabilization
- Cropped 4K/60p video
- Single card slot
- Small viewfinder
The best professional camera for stills
With a huge pixel count and superb autofocus, the flagship Sony A7R V delivers outstanding stills when paired with a top-tier lens.
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For
- Excellent autofocus
- Impressive ISO handling
- Versatile 4-axis touchscreen
Against
- It’s expensive
- Requires high-quality optics
- 4K video only up to 60fps
Best by use-case
The best APS-C camera for enthusiasts
If you can look past its limited range of native lenses, the EOS R7 is a fast, powerful camera that handles well and shoots excellent stills.
Read more below
For
- Fast burst shooting
- Great value
- Good handling
- Excellent autofocus and stabilization
Against
- Lack of native APS-C lenses
- Average electronic viewfinder
- Lack of 4K/120p video
The best Micro Four Thirds camera
Lovely to shoot with, the OM-1 II delivers versatile performance with its 20MP stacked sensor and unique computational modes.
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For
- Stacked sensor improves AF performance
- Superb stabilization
- Lovely in the hand
- Well implemented computational modes
Against
- Only 20MP resolution
- Touchscreen doesn’t work for menus
- Controls can be a tad fiddly
The best premium compact
With a fixed focal length that’s perfect for street photography, the Fujifilm X100V is a premium compact with plenty of retro style.
Read more below
For
- Versatile 40MP sensor
- Finally, in-body image stabilization
- Fujifilm’s best autofocus yet
Against
- Pricier than X100V
- Only a single UHS-I card slot
- Still needs lens adaptor to be weather-sealed
7. Olympus OM-D E-M10 Mark IV
The best value photography camera
It’s not cutting-edge, but a compact body, excellent image stabilization and handy touchscreen make this a great value option.
Read more below
For
- Capable 20MP sensor
- Impressive image stabilization
- Handy flip-down touchscreen
- Very compact body
- Hundreds of affordable lenses
Against
- No microphone input
- No USB-C port
- Video maxes out at 4K/30p
The best DSLR overall
Nikon’s last remaining DSLR with APS-C sensor is an excellent all-rounder with 20.9MP still, superb battery life and intuitive handling.
Read more below
For
- Excellent image quality
- Remarkable 1,550-shot battery life
- Handy Guide mode
- Compact for a DSLR
- Easy to use
Against
- No 4K video
- No touchscreen control
- Bluetooth, but no Wi-Fi
9. Fujifilm Instax Mini 12
The best instant camera
If you want an instant camera that’s easy to use, cheap to refill and capable of producing vibrant prints, the Instax Mini 12 is it.
Read more below
For
- Easy to use
- Improved viewfinder accuracy
- Low-cost film packs
Against
- Still overexposes shots in bright sunlight
- Like holding a wet fish
- Prints are a little small
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The best pro hybrid for sports and wildlife
Built like a rugged DSLR, the Z9 is Nikon’s most powerful camera ever, complete with an electronic-only shutter and 8K video.
Read more below
For
- Powerful stacked 45.7MP sensor
- Reliable tracking AF
- Rugged build quality
- Excellent battery life
Against
- Some features need firmware update
- Bulkier and heavier than rivals
- Flash sync only 1/200s
The best for outright image quality
Setting a new benchmark for medium format cameras, the X2D 100C is Hasselblad’s most versatile model yet.
Read more below
For
- Stunning design and new ‘V-series’ lenses
- Exceptional image quality potential
- In-body stabilisation up to 7-stops
- Built-in 1TB SSD
Against
- Autofocus still struggles
- No video
- Middling battery life
- No native lens options for telephoto shooters
12. Canon EOS 5D Mark IV review
The best pro DSLR
It’s not cheap, but if you want the best DSLR money can buy, Canon’s flagship has the skills to deliver in any shooting situation.
Read more below
For
- Responsive touchscreen
- Advanced AF system
- Live View AF performance
- Excellent sensor performance
- 7fps burst shooting
- Connectivity options
Against
- Expensive compared to rivals
- ISO range hasn’t increased
- 4K video options limited
Timothy Coleman
Tim is TechRadar’s Cameras editor, with over 15 years in the photo video industry and most of those in the world of tech journalism, Tim has developed a deeply technical knowledge and practical experience with all things camera related. He notes, “there are so many excellent cameras out there for photographers. In compiling this guide, we’ve included specific options that suit different types of photography. There’s often value to be found in choosing one specific to your genre of choice – particularly if that means you don’t need a hybrid.”
The best camera for photography 2024
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Below you’ll find full write-ups for each of the best cameras in our list. We’ve tested each one extensively, so you can be sure that our recommendations can be trusted.
The best full-frame hybrid overall
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Sony A7 IV sample images
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Buy it if:
✅ You need an all-rounder for stills and video: There are better specialist cameras out there, but as an all-rounder the A7 IV is the best mirrorless camera you can buy.
✅ Your Sony A7 III is starting to feel its age: The A7 IV is a big upgrade on the A7 III in almost every respect, including resolution, autofocus, usability and video.
Don’t buy it if:
❌ You mostly shoot sports and action: While the Sony A7 IV is by no means a slow coach, there are better cameras out there for pro sports performance.
❌ Value is your main priority: You’ll get more bang for your buck with a more specialist camera and an extra lens or two with the money saved.
Following the fantastic A7 III was never going to be easy, but the A7 IV is a worthy successor. With a new 33MP sensor that’s solid for both stills and video, it’s a compelling mirrorless option for hybrid shooters. In our review, we called it a “brilliant blend of photographic power and video versatility”. A price hike does mean it’s no longer an entry-level full-frame camera like its forebear, but a Bionz XR processor powers solid performance that broadly justifies the extra expenditure.
The A7 IV also benefits from Sony’s class-leading autofocus skills, plus upgrades like 10-bit video and an almost endless buffer depth with a CFexpress card. Our tests found this buffer to be more generous than most photographers will need, with image quality leaning more towards resolution than low-light performance. There are compromises elsewhere, as well: there’s a heavy crop on 4K footage and it isn’t the simplest camera for beginners to use. The Canon EOS R6 also offers faster burst speeds for a similar price. But considering its powerful versatility and higher resolution, the Sony A7 IV deservedly takes our number one spot.
Read our in-depth Sony A7 IV review
The best mirrorless camera for beginners
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Canon EOS R10 sample images
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Buy it if:
✅ You’re shopping for your first camera: Powerful autofocus, good handling and strong burst speeds put the R10 top of the pile for beginners.
✅ You need an affordable sports camera: Its burst speeds and autofocus make the R10 worth the price if you’re looking to shoot moving subjects.
Don’t buy it if:
❌ You need a wide choice of native lenses: Right now, the EOS R10’s main weakness is a lack of native lenses for Canon’s RF mount.
❌ You’ll be mostly shooting video: No headphone jack for monitoring audio, nor any in-body image stabilization to keep things steady. This isn’y a vlogging camera.
It isn’t the cheapest option for beginners, but we think the Canon EOS R10 is the best camera for those starting their photographic journey. Spiritual successor to Canon’s popular mid-range DSLRs, the EOS R10 has two standout skills: impressive subject-tracking autofocus and speedy 15fps burst shooting, which was previously unheard of at this price. Both combine nicely to make the EOS R10 a versatile little camera for shooting all kinds of subjects, from portraits to speeding pets. During our autofocus testing, which we conducted on cats, deer and a rapid cockapoodle, the R10 found and tracked subjects’ eyes very well, with 15fps burst speeds producing a decent hit rate.
While it isn’t a compact camera, the EOS R10 is lightweight at 429g and has a deep grip that makes it well-balanced in the hand with all kinds of lenses. Unfortunately, the EOS R10 doesn’t yet have many native lenses (just two at the time of writing) and lacks in-body image stabilization. But if you’re happy to buy some of the many full-frame RF lenses that work well with the camera, or adapt old ones using an EF-EOS R adapter, then it’s a versatile sidekick that’s ideal for fledgling snappers.
Read our in-depth Canon EOS R10 review
The best pro camera for stills
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Sony A7R V sample images
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Buy it if:
✅ You shoot landscapes, portraits or studio photography: With a 61MP sensor and a powerful processing engine, image quality is excellent.
✅ You need subject the best autofocus: AI subject detection AF provides more reliable autofocus for more subjects in more scenarios.
Don’t buy it if:
❌ You don’t have or can’t afford the best optics: A 61MP sensor is unforgiving of any lens deficiencies, so you’ll also need expensive high-end pro lenses.
❌ You don’t need the resolution: Do you need 61MP? If not, you’ll save a packet by opting for the A7 IV instead.
The Sony A7R V takes up the mantle from the A7R IV as Sony’s sharpest full-frame mirrorless camera. As we found in our review, it also solves several of the A7R IV’s drawbacks to become a more complete professional camera. A new 61MP sensor and Bionz XR processor team up to deliver remarkably detailed stills. Eight stops of image stabilization made it easy to shoot handheld in testing, too. We were also impressed by the effectiveness of Real-rime Recognition AF. It’s not perfect, but it can generally detect a range of subjects and capture them crisply.
From our time with the A7R V, we think its level of detail makes it best suited to landscape and studio work. Do keep in mind that it only produces its best results when paired with top-spec lenses, which will add heavily to the already high price tag. The A7R IV offers the same resolution, but we do think the A7R V is the better camera overall, particularly with a sharper EVF that makes framing a joy. That said, if you don’t need so many sensor pixels, you’ll find better value for less elsewhere.
Read our in-depth Sony A7R V review
The best APS-C camera for enthusiasts
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Canon EOS R7 sample images
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Buy it if:
✅ You want performance on a budget: If you can’t shell out for Canon’s full-frame models, the EOS R7 is a more affordable route to excellent subject-tracking autofocus.
✅ You want a travel-friendly camera: Its small proportions and fantastic handling make the EOS R7 a lovely all-rounder to travel with.
Don’t buy it if:
❌ You want to buy a lot of native lenses: At the time of writing, the native RF-S lens range is limited; rivals like the Sony A6600 and Fujifilm X-H2S are better served.
❌ You want the full-frame experience: The EOS R7 works wonders with its APS-C sensor, but it can’t compete with full-frame alternatives when it comes to low light.
If you don’t need full-frame, we think there’s no crop sensor camera that can currently beat the Canon EOS R7. In our review, we highlighted its superb autofocus performance, excellent in-body image stabilization and the class-leading detail delivered by its 32.5MP sensor. Its full-frame cousins still have the edge in low light, but the EOS R7 produced lovely images across a range of scenarios in our real-world tests. We were also impressed by its 30fps burst speeds, which make it a great choice for sports and wildlife enthusiasts.
Our tests also found the EOS R7 a nice camera to hold and use, with a decent grip and generous spread of direct-access controls. Dual UHS-II card slots are a welcome bonus, while the ability to record uncropped 4K/60p video output makes the EOS R7 a tidy all-rounder. The only major drawback at present is the continued lack of native lenses, an issue not suffered by alternative APS-C cameras such as the Sony A6700 and Fujifilm X-T5.
Read our in-depth Canon EOS R7 review
The best Micro Four Thirds camera for enthusiasts
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OM System OM-1 II sample images
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Buy it if:
✅ You want value for action photography: A stacked sensor, subject detection AF and wildlife photography-friendly MFT format make this is an outright action camera.
✅ You don’t want to be weighed down with kit: A like-for-like full-frame system will likely be twice the size, weight and price.
Don’t buy it if:
❌ You want high-resolution images: These days, 20MP in a photography-centric flagship camera with this price tag is modest.
❌ You want the best single-shot image quality: The OM-1 II’s multi-shot computational workarounds are good for specific scenarios, but they can’t be used for everything.
Rugged and lightweight, the OM System OM-1 II is a compelling alternative for photographers who prioritize size, versatility and a fun handheld experience. Thanks to its stacked Micro Four Thirds sensor and a speedy TruePix X processor, the OM-1 II performed superbly in most of our tests, especially wildlife photography. It has a swathe of subject detection modes, and you’d struggle to find a more capable autofocus system for bird photography. It also benefits from unique computational photography modes that are the best you’ll find outside a smartphone, which go some way to compensating for its smaller sensor.
It’s not all good news, though. This second-gen model is but a mere refresh of the now cheaper OM-1, we think it’s updates could have been added to the OM-1 by a firmware update rather than making a new, pricier model. The MFT sensor and 20MP resolution are modest for a camera at this price, with low light image quality not quite up to the level of full-frame rivals. If you can overlook those drawbacks, then the OM-1 II (and its huge range of Micro Four Thirds lenses) will make a fine companion. Quite simply, it’s the one of the most enjoyable cameras you can buy.
Read our in-depth OM System OM-1 II review
The best premium compact
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Fujifilm X100VI sample images
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Buy it if:
✅ You want a stylish snapper: From its body design to its exposure dials, the X100VI is packed with retro appeal.
✅ You want a unique shooting experience: If you haven’t used the X100VI’s hybrid viewfinder, try it and thank us later.
Don’t buy it if:
❌ You want a wide perspective: The fixed 35mm lens is slightly tighter than your smartphone’s camera. If you want to fit more in the shot, you’ll have to take a few steps back.
❌ You want flexibility: As a fixed lens compact, you can’t zoom in out or out for a different field of view from its 35mm focal length, although with more pixels you can crop in.
If you want the best compact camera for photography, we think the Fujifilm X100VI is the top choice for most people. The latest model is near identical to Fujifilm X100V, with its retro style, fixed 23mm f/2 lens and pocket-friendly design, while its hybrid viewfinder remains and we absolutely love it – you have to give it a spin. It’s the inside where the big improvements have been made: the X100VI boosts resolution to 40MP, plus it adds in-body image stabilization for the first time in the X100 series – arguably the most needed feature for this street photography camera. You also get Fujifilm’s best autofocus, borrowed from the Fujifilm X-T5.
You might not need the increased pixel count because the X100V’s 26MP is plenty enough for most people. However, the extra resolution offers greater flexibility for cropping into your pictures. The X100VI is also a more capable filmmaking tool, armed with 6.2K 10-bit video. It’s not a perfect camera: we think Fujifilm should have implemented a new 28mm lens, while there’s only one UHS-I SD card slot and you still need an adaptor for full weather-proofing. It’s also a pricier camera than the X100V. However, we think the X100VI is Fujifilm’s most compelling cmaera and the best premium compact for everyday use.
Read our in-depth Fujifilm X100VI review
The best value camera for photography
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Olympus OM-D E-M10 Mark IV sample images
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Buy it if:
✅ You want a compact, capable camera: Small but mighty, the E-M10 Mark IV offers a lot of features in compact packaging.
✅ You like to shoot handheld: Impressive in-body image stabilization helps to keep images sharp even shooting at 1/8th of a second.
Don’t buy it if:
❌ You’re a videographer: While the E-M10 Mark IV can produce impressive video, its feature set isn’t geared towards vlogging.
❌ You want a cutting-edge camera: Missing features such as phase detection autofocus, the E-M10 Mark IV is a step behind its rivals.
It isn’t the latest Micro Four Thirds model on the market, but if you want a travel-friendly option for shooting impressive stills, we think the Olympus OM-D E-M10 Mark IV represents fantastic value. The result of careful refinement over several generations, the Mark IV offers a generous feature set and works with hundreds of affordable lenses. In our review, we noted that its 20MP sensor enables to the Mark IV to capture greater dynamic range than smartphones and compact cameras.
We were also very impressed in testing with its five-axis in-body image stabilization, which gives it the edge over rivals like the Fujifilm X-T200 when shooting handheld. Its button layout makes it an approachable camera for beginners, as does the 3-inch touchscreen. Video limitations – such as the lack of microphone input and 4K/30p cap – do hold it back from competing with hybrids. All the same, the E-M10 Mark IV remains an appealingly portable, affordable photography upgrade.
Read our in-depth Olympus OM-D E-M10 Mark IV review
The best DSLR overall
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Nikon D7500 sample images
Buy it if:
✅ You want a decent value DSLR: The D7500 is one of few enthuisast-level DSLRs still available, and it’s under $1,000 / £1,000.
✅ You’re primarily a photographer: Nikon’s DSLRs are a superb starting point for photographers, and the D7500 is sturdy enough for demanding users.
Don’t buy it if:
❌ You want to shoot high resolution photos: The D7500 tops out at 20.9MP while alternatives like the Canon EOS 90D shoot bigger pics.
❌ You’re keen on video: Autofocus for video is poor while newer mirrorless cameras have better features sets for video.
This list is dominated by mirrorless cameras, but if you still prefer the benefits of DSLRS – namely, their handling, superior battery lives and value – then we think the Nikon D7500 is the best one around for beginners and enthusiasts alike. It’s the only remaining Nikon camera of its kind with APS-C sensor that’s still available new, offering a 20.9MP sensor with excellent low light performance, and superb handling, namely its tilt touchscreen, rugged build, large optical viewfinder, 8fps burst shooting and mirrorless-camera beating battery life, rated at just under 1,000 shots.
The D7500 is almost always on sale now and regularly well under $1,000 / £1,000 with lens, while there is a huge choice of Nikon F-mount lenses that can also be great value, especially second hand. If you’re starting out, we recommend buying the D7500 with the versatile 18-140mm lens as a kit, as its brings handy vibration reduction for very little extra cost. Those looking for a travel-friendly camera should still consider mirrorless alternatives like the Olympus OM-D E-M10 Mark IV above, but otherwise the D7500 remains a brilliant way to learn the photographic basics, start your new hobby and up your skills.
Read our in-depth Nikon D7500 review
The best instant camera
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Fujifilm Instax Mini 12 sample images
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Buy it if:
✅ You want point-and-shoot simplicity: Auto exposure control and affordable film refills make the Instax Mini 12 an accessible camera to shoot with.
✅ You want vibrant party prints: With rich vintage colors, Instax prints have a distinctively attractive look that’s great for capturing memories.
Don’t buy it if:
❌ You shoot in sunlight a lot: The Mini 12 tends to overexpose images in bright light, not helped by the always-on flash which fires every time.
❌ You want a tactile camera: The bubble-like design is fun, but it’s also slippery in the hand making it tricky to keep hold of at times.
When it comes to photo quality, the Fujifilm Instax Mini 12 can’t compete with present company. But if you want an instant camera that’s affordable, easy to use and fun to shoot with, we think the Mini 12 is a winner. Building on everything we loved about the Instax Mini 11, it makes it simple for beginners to create small but vibrant printed snaps.
The Mini 12 benefits from parallax correction, which we found a useful addition: it means what you see when framing is closer to what gets printed. Fujifilm has also repositioned the exposure sensor to get more accurate readings, although we found that the Mini 12 still overexposes in bright sunlight. We also found its design a little slippery to handle, but the lens controls are even more intuitive than before: you turn on the Mini 12 by twisting its lens, or activate the close-up mode by pulling it. This straightforward setup makes it even more appealing for parties and kids, especially when you factor in the affordable cost of film refills.
Read our in-depth Fujifilm Instax Mini 12 review
The best pro hybrid for sports and wildlife
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Nikon Z9 sample images
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Buy it if:
✅ You need a dependable camera for most situations: Pros especially need a reliable tool, first and foremost, and they won’t be let down by the Nikon Z9.
✅ You want resolution and speed
What’s seriously impressive about the Z9 is that it outguns the similarly-priced Nikon D6, while boasting more than twice the resolution
Don’t buy it if:
❌ You want a lightweight tool: Compared to the Canon EOS R3 and Sony A1, the Nikon Z9 is both heavy and bulky.
❌ You don’t need everything in one camera: Given the smaller Z7 II has the same resolution for almost half the price, the Z9 could be more than you need.
Blazingly quick, the Nikon Z9 is a fantastic choice for discerning photographers who need a camera that can keep up with the most intensive sports and wildlife action. As the first pro-grade camera without a mechanical shutter, it was a groundbreaking model at launch. Subsequent firmware releases have only made it better. Alongside reliable Eye AF tracking, the Z9 is capable of capturing crisp video at 8K/60p or 4K/120fps. Our tests confirmed that stills are similarly fantastic, with the 45.7MP stacked CMOS sensor and excellent image stabilization combining to produce beautiful images.
Besides the price, the major drawback is the Z9’s form factor. In our review, we found it a big, heavyweight beast. A two-way tilting touchscreen does add welcome versatility alongside the vertical grip, and weather-sealing complements Nikon’s trademark build quality. But there are smaller, more affordable options out there if you don’t need all of its flagship features. Nikon’s own Z7 II for example offers the same level of detail for stills in a tidier package.
Read our in-depth Nikon Z9 review
The best camera for outright image quality
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Hasselblad X2D 100C sample images
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Buy it if:
✅ You love design: Hasselblad X System cameras are the most beautifully designed digital cameras around with spot on handling, too.
✅ You’re a stickler for color: Where the X2D’s image quality truly stands out is in color rendition and dynamic range.
Don’t buy it if:
❌ You need to keep up with the action: Hasselblad’s best autofocus yet is still slower than 10-year-old high-end DSLRs.
❌ You want all the features: The X2D is a purist photography experience and doesn’t even record video.
If money is no object and you want the very best image quality, then the Hasselblad X2D 100C is our top pick. It’s very much a camera for photography purists – in fact it doesn’t shoot video at all – but it’s far from being outdated. We love its refreshing simplistic design and ergonomics that lets you focus on taking pictures. We also appreciated the convenience of its built-in 1TB of SSD storage. And then there’s its 100MP medium format sensor that produces images packed with detail and unmatched color rendition, while its in-body image stabilization – a first for Hasselblad – eliminates the need for a tripod, which was previously unthinkable for a medium format camera.
That’s not to say it doesn’t occupy a narrow niche: burst shooting tops out at 3.3fps, and even with speed enhancements, its autofocus still lags far behind the latest mirrorless models. Its native lens range is also lacking a proper telephoto option. Yet despite these drawbacks, the X2D is right up there with our favorite medium format cameras, and one to get with that winning lottery ticket.
Read our in-depth Hasselblad X2D 100C review
The best professional DSLR camera
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Canon EOS 5D Mark IV sample images
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Buy it if:
✅ You want the best DSLR performance: From autofocus to resolution, the EOS 5D Mark IV sets the bar for pro-grade DSLR models.
✅ You shoot a range of subjects: Whether you shoot landscapes or wildlife, the Mark IV’s versatility means it can handle almost any scenario.
Don’t buy it if:
❌ You shoot a lot of video: DCI 4K video capture is a welcome addition, but a 1.64x crop limits is usefulness for videographers.
❌ You have a limited budget: Even compared to rivals like the Nikon D850, the Canon EOS 5D Mark IV commands a high price.
For professionals who prefer the feel of a DSLR, we think the Canon EOS 5D Mark IV is the best option available today. There’s no escaping that it represents a significant investment, but our review found that the Mark IV does plenty to justify the outlay for serious shooters. Predictably, its 30.4MP full-frame sensor turns out fantastic amounts of detail. Our tests revealed improved dynamic range and high ISO performance compared to the 5D Mark III. We were also impressed by the reliability of the metering system, while AF tracking performed reliably well, even with a bias towards the center of the frame.
Though at times we wished for a vari-angle display, the touchscreen interface is still a welcome addition, and a neat complement to the large viewfinder. All this in a package that feels well put together and wonderfully familiar. Provided video isn’t high on your agenda – there’s a heavy 1.64x crop on 4K footage – we think the EOS 5D Mark IV is a fantastically well-rounded and versatile DSLR for photography.
Read our in-depth Canon EOS 5D Mark IV review
Find savings on Canon cameras with our Canon promo codes.
Also consider
We’ve reviewed hundreds of cameras, which means there are plenty more that almost made it into this list. Here are a few honorable mentions to consider.
Nikon Z6 II: Solving the main drawbacks of the Z6, this second generation delivers strong performance across the board, including excellent image quality, polished handling, a 5-axis stabilization system and solid build quality. All of which make it a tempting choice.
Canon EOS R5 Mark II: An upgrade from the EOS R5 in every way, the Mark II is a faster, more accurate professional camera with rapid burst speeds, near-perfect autofocus and useful AI-powered editing features. A stacked sensor minimizes rolling shutter, too.
Sony A9 III: A mirrorless speed machine with a global shutter, the A9 III has unbelievable burst speeds, incredibly reliable autofocus and suffers from zero rolling shutter. You’ll pay for the privilege, but this is a remarkable tool for high-speed action photography.
Polaroid I-2: It doesn’t come cheap and neither does I-type film, but the Polaroid I-2 delivers an arsenal of shooting options, thanks to its full manual exposure controls, sharp lens and impressive LiDAR autofocus. You also get Bluetooth control via the app.
Fujifilm Instax Mini 99: A well-built and grown-up instant camera, the Instax Mini 99’s intuitive controls make it easy for beginners to use, while also offering experienced photographers the flexibility of creative controls. You’ll need to budget for film refills, though.
Leica Q3: A premium compact like no other, the Leica Q3 is incredibly expensive but also incredible to shoot with. A beautifully built camera that feels wonderful in the hand, its 60.3MP sensor and fixed 28mm prime lens are capable of stunning results.
Fujifilm GFX 100S II: One of the best medium format cameras for most people, the GFX 100S II offers excellent ergonomics, reliable image stabilization and superb image quality from its 102MP sensor – all at a lower price than the flagship GFX100 II.
Canon EOS R100: A pared-back version of the Canon EOS R50, the R100 features the same 24MP APS-C at a lower price. Sitting at the bottom of Canon’s RF mount mirrorless range, it isn’t packed with features, but it’s a very affordable entry point.
How to choose the best camera for you
The main thing to look at when buying a digital camera is sensor size. Larger isn’t always better, but it is a good guide to what kind of camera it is, how expensive the lenses will be, and who it’s aimed at. In general, Micro Four Thirds and APS-C cameras are for both hobbyists and pros, while full-frame models tend to be strictly for advanced photographers with bigger budgets. Compact cameras with 1-inch sensors are for travel zooms and everyday photography.
Other features to look out for are viewfinders (electronic or optical), which are considered essential by most photographers, and handling. If you’re likely to want to use longer lenses, then a good grip is essential. You should also consider which lenses you’re likely to need for your favorite types of photography – for example, bright prime lenses are better for portraits and street shooting, while wide-angle zooms are more useful for landscapes. Deciding which camera system, including lenses, is the best for you is often better than choosing a camera in isolation.
What type of camera is best for photography?
As you’ll find in our comprehensive buying guide above, there’s no single factor that defines what type of camera is best for photography. From sensor size to resolution, there are many aspects to bear in mind when choosing a stills camera, which is why it’s a good idea to consider the feedback from our real-world tests when deciding.
The importance of each of these factors will come down to your preferred style of shooting. Objectively speaking, the larger a camera’s sensor, the more light it can gather – and the higher its resolution, the sharper its images will be. That’s why we rate mirrorless cameras such as the Sony A1 so highly for their stills performance: its 50.1MP full-frame sensor is the class of the field.
But the question isn’t necessarily that simple. The highest resolutions tend to be overkill unless you’re a professional photographer. Equally, full-frame cameras are less travel-friendly due to the size of their sensors. For that reason, you might prefer a mirrorless camera with a high-resolution APS-C sensor, such as the Fujifilm X-H2. Or if you’re just starting out, the best photography camera for you could be an APS-C model with a lower resolution, such as the Canon EOS R10.
The elephant in the room is whether a DLSR is better than a mirrorless camera for photography. For a full analysis of this question, it’s worth reading our mirrorless vs DSLR camera guide. The short summary is that most manufacturers regard mirrorless cameras as the future of photography, with the latest models offering unrivalled performance and results. But that doesn’t necessarily mean you should discount DSLR models, as you can read below.
Are DSLRs best for photography?
DSLRs have long been a byword for ‘serious’ photography, but they’re no longer at the top the camera tech tree. Mirrorless cameras, which replace the DSLR’s optical viewfinder with a wholly electronic EVF, are now the beneficiaries of the camera giants’ latest lenses and autofocus systems. Neither Canon nor Nikon has released a new DSLR in years. That’s why our list above is dominated by mirrorless cameras, rather than DSLRs.
That doesn’t necessarily mean you shouldn’t consider buying a DSLR for photography. Their main benefit now is value for money – their lack of an electronic viewfinder means they’re usually cheaper than mirrorless equivalents, and their maturity means they have a wide range of affordable lenses. Classic DSLRs like the Canon EOS 6D are also excellent second-hand buys. But the smarter long-term investments are now mirrorless cameras.
Meet the team
Collectively, our team of reviewers has amassed over a hundred years of camera experience and testing, covering all of the latest and greatest cameras in the last 20 years.
Tim Coleman
As Cameras Editor, Tim looks after all cameras content on Tech Radar. This includes buying guides, opinions, reviews and news, and covers anything from mirrorless cameras to film and smartphones. He has been cutting his teeth in the photo and video industry for almost 20 years.
Mark is TechRadar’s Senior news editor and has been a technology journalist since 2004. Formerly Trusted Reviews and TechRadar’s cameras editor, Mark has tested cameras over many years from all of the leading brands.
Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week.
James Abbott is a professional photographer and freelance photography journalist. He contributes articles about photography, cameras and drones to a wide range of magazines and websites where he applies a wealth of experience to testing the latest photographic tech.
Jon Devo is a seasoned professional with 20 years of experience in photography and videography. After studying Journalism and Psychology at City University London in 2009, he transitioned into presenting and journalism. Jon is the founder of Devoted Creatives, a photo and video studio based in West London.
Richard Sibley is a photographer and writer passionate about travel and landscape photography. With over 15 years of experience writing and reviewing in the photo industry, he was formerly Deputy Editor at Amateur Photographer magazine and has had his words and images published in numerous other magazines and websites.
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The best cameras for photography don’t going to come cheap these days, and so it’s important to read up on real-world tests such as TechRadar’s which are the most revealing way to understand a camera’s performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.
To start with, we look at the camera’s design, handling and controls to get a sense of what kind of photographer it’s aimed at and who would most enjoy shooting with it. When we take it out on a shoot, we’ll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.
Regarding performance, we use the fastest supported memory card type (whether that’s UHS-I, UHS-II, CFexpress and so on) and make sure it’s formatted, then shoot photos in both raw and JPEG (if available). We have standardized camera settings to test burst shooting (1/250 sec, ISO 200, continuous AF) – we then select the various burst shooting modes and shoot sequences in front of a stopwatch to record how long sequences last, the number of frame and how quickly the buffers clears, repeating the test for both raw and JPEG files.
In various lighting conditions, we also test the camera’s different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor’s ability to handle noise and resolve fine detail.
If the camera’s raw files are supported by Adobe Camera Raw, we’ll also process some test images to see how we can push areas like shadow recovery. And we’ll also test its ISO performance across the whole range to get a sense of the levels we’d be happy to push the camera to.
Battery life is another important consideration. We start our test with a fully charged battery and run our usual camera testing until the battery has reached zero. We then count how many shots were possible and check that number against the camera’s official CIPA rating – the results can differ for better or for worse. Finally, we test the camera’s video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.
We then take everything we’ve learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.
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